PLEASE ALLOW ME TO INTRODUCE MYSELF,
I’M A MAN OF CLAY AND GLAZE
PUSHED MUD AROUND FOR SEVENTY YEARS
OR TWENTY FIVE THOUSAND DAYS.
Robin Hopper is a man of many parts, mostly worn out, rusty or dysfunctional, due to a lifetime of excesses! He started working with clay at the age of three and is still doing it over 70 years later. His lengthy, peripatetic career as a mudpusher has included side trips into working as a Professional Actor, Stage Designer, Property Maker, Stage Manager, Stage Carpenter, Grocer, Greengrocer, Jazz Musician, Teapot, Wine and Beer-Bottle, Trumpet, Trombone and Bugle Player, European Travel Guide, Founder of Several Clay/Art/Craft Organizations, Alchemist, Geologist, Primatologist, Linguist, Ornithologist, Botanist, Ceramic Historian, Educator, Author, Garden Designer, Lecturer on Japanese Garden Design, Laborer and Star of Stage, Screen and Potter’s Wheel!
Tuesday, January 13, 2015
My new eBook "A POTTER'S GARDEN" was launched on Saturday, 10th January 2015.
The eBook tells the story of the development of an autobiographical garden as an idea resource for much of my work in clay over a 36 year period. About 80% of the images are about the garden. The remainder show images of claywork directly influenced by the garden. The garden has been featured in many magazines, books and television programs. People have asked me to write a book about it for years. Now that I am retired as a maker of ceramic art after 60 years, I have finally had time to do it.
The garden revolves around the five basic styles of traditional Japanese garden - STROLL, SCROLL, TEA , ZEN and COURTYARD, freely interpreted by the eyes and mind of an artist. Since I am originally from England and found my early training there, my favorite gardens are all in Japan, and the garden has a large range or Canadian native plants, I call its unique style "ANGLOJAPANADIAN".
FOR A PREVIEW OR PURCHASE GO TO THE FOLLOWING LINK. The price is $9.99 US.
The book is best viewed as a pdf due to all the images that it includes.
https://www.smashwords.com/books/view/502522
Sunday, November 16, 2014
13 MONTHS LATER!
Tuesday, October 22, 2013
INTO THE SUNSET!
THIS IS MY LAST BLOG.
UP FOR 70+ YEARS.
ALBIZIA Julibrissin "Summer Chocolate" |
Japanese Maple - ACER Palmatum "Osakazuki" |
Mixed Hellebores, Hostas and Ferns |
Mixed Hellebores, Hostas and Ferns THE MAIN SOURCES OF IDEAS IN MY WORK COME FROM GARDENS, CERAMIC HISTORY, ARCHITECTURE AND THE LANDSCAPE. |
JAPANESE BERBERIS 'Rosea' |
CATALPA Bignonoides and COTONEASTER Cornubia |
FUCHSIA Bridal Veil |
HYDRANGEA
|
A WALK OUT OF ANY DOOR FROM MY HOUSE AND STUDIO IS A GIFT TO THE SENSES, DESIGNED TO AWAKEN AND STIMULATE CREATIVE THOUGHT. THE GARDEN IS A 36 YEAR WORK IN PROGRESS. WHEN BARREN OF IDEAS, ANY WALK RESULTS IN A FLOOD OF IMAGES, COLORS AND FORMS, ALWAYS CHANGING WITH THE SEASONS, TIME OF DAY AND QUALITY OF LIGHT. LOOK, SEE, SMELL AND THINK.
JAPANESE MAPLES - CORALBARK AND TROMPENBERG |
JAPANESE MAPLE - ACER Osakazuki |
PANICUM VIRGATUM 'Skyracer' |
MOST OF THIS IS FOUND JUST OUTSIDE MY STUDIO AS PART OF A LARGE GARDEN WHERE PLANT SELECTION WAS FOR FORM AND COLOR, AND COULD BE INTERPRETED WITH MANY POSSIBLE VARIATIONS OF CERAMIC PROCESS.
I HOPE THAT THE IMAGES AND CONCEPTS PUT FORWARD IN THIS BLOG WILL CHALLENGE YOU IN LOOKING, SEEING AND COMING UP WITH NEW IDEAS TO DEVELOP ORIGINAL AND PERSONAL INTERPRETATIONS IN YOUR WORK.
THERE IS ENOUGH MATERIAL TO KEEP ME BUSY FOR SEVERAL LIFETIMES.
ROSA GLAUCA HIPS |
EUONYMUS ALATA and GREEN BERBERIS |
FALL COLOUR AROUND POND - 20 OCTOBER, 2013 |
ANOTHER CHALLENGE FOR THE FUTURE !
FALL COLOUR AROUND POND - 20 OCTOBER, 2013
CHRYSANTHEMUMS |
FALL COLOUR AROUND POND - 20 OCTOBER, 2013
UNFORTUNATELY, I HAVEN'T THE TIME OR ENERGY TO KEEP ON DOING THE BLOG, GARDEN, CORRESPONDENCE AND OTHER THINGS AS WELL.
WITH MY REMAINING ENERGY, I'M PLANNING TO WORK ON A NEW, UPDATED, SECOND EDITION
OF MY FOURTH BOOK,
"MAKING MARKS"
THERE WILL BE MANY CHANGES REFLECTING RECENT DEVELOPMENTS, AS THE FIRST EDITION WAS WRITTEN TEN YEARS AGO. OBSERVATIONS OF WHAT WAS HAPPENING THEN AND DEVELOPMENTS SINCE, OPENS MANY NEW DOORS FOR EXPLORATION. WITH LUCK, IT SHOULD BE PUBLISHED IN SUMMER 2015
Monday, September 30, 2013
RH Practicing for The Paradise Jazzband on his B-Flat Walking Cane for aging trumpet players! Full of HOT AIR as usual! |
It will primarily be photographic, showing the colors and textures of fall in our garden at 'Chosin Pottery, just outside Victoria, B.C. Canada, on beautiful Vancouver Island in the Pacific Northwest.
It will be posting #114.
Thanks for looking and listening.
Best wishes to you all. Sincerely, Robin.
Wednesday, September 25, 2013
# 3 NERIKOMI: CLAY VENEER: ZOUGAN
NERIKOMI is the Japanese name for the process of making patterned blocks of colored clays by variations of cutting and layering. It is a very effective method of creating images that go through the complete block of clay. Nerikomi veneers are often made by taking very thin slices from prepared colored clay blocks and attaching them to a thicker white clay sheet with either water or thin white or colored slip.
CUTTING SLICES FROM SINGLE COLORED CLAY BLOCK |
LAYERING THE SLICES FROM THREE COLORED CLAY BLOCKS |
MOVING THE COLORED SLICES ONTO OTHER SLICES CREATING CHEQUERBOARD PATTERN |
PUSHING A RULER THROUGH A SIMPLE LAYERED BLOCK TO CREATE BRACKET PATTERN |
PUSHING RULER IN OPPOSITE DIRECTION |
Completed, wood sheen fired, slab-built mug by Susy Siegele and Michael Haley. The through-clay image can be clearly seen on the interior of the mug where it has been coated with a clear glaze and fired at cone 9. |
Sunday, September 15, 2013
Saturday, August 31, 2013
#2 Working with colored clays: AGATEWARE - NERIAGE
MARBLED EARTHENWARE WARE BOWL - TANG DYNASTY CHINA - 660AD - 920AD THE ABOVE BOWL IS FROM THE EARLIEST EXAMPLES OF MARBLED WARE MADE BY THE POTTERS OF THE TANG DYNASTY. THE PATTERNING WAS MADE BY LAMINATING DIFFERENT NATURAL CLAYS, THEN TWISTING, FLATTENING AND PRESSING INTO A MOLD THAT HAS PROBABLY BEEN FIRED TO A LOW TEMPERATURE TO STRENGTHEN IT |
18TH CENTURY ENGLISH MARBLED EARTHENWARE |
DIFFERENT COLORED CLAYS ARE CUT INTO SLICES AND SLAPPED TOGETHER TO ELIMINATE TRAPPED AIR. DEPENDING ON HOW THE DIRECTION OF THE LAMINATES ARE PRESSED TOGETHER THE PATTERN WILL BE CONTROLLED. IF THE LAMINATIONS ARE PLACED VERTICALLY ON THE WHEEL THE PATTERNS WILL LIKELY BE FINE AND LACY. IF PLACED HORIZONTALLY, THEY WILL LIKELY BE BOLD. PATTERNS MADE THIS WAY WILL ALWAYS BE RANDOM. |
LIDDED JAR BY THE AUTHOR, WHITE, BLUE AND BLACK PORCELAINS LAMINATED AND PLACED ON THE WHEEL VERTICALLY AND FACETTED |
BLACK AND WHITE AGATE WARE VASE BY AUTHOR - SALT GLAZED |
BLACK AND WHITE AGATEWARE VASE BY THE AUTHOR - WOOD-FIRED |