PLEASE ALLOW ME TO INTRODUCE MYSELF,

I’M A MAN OF CLAY AND GLAZE

PUSHED MUD AROUND FOR SEVENTY YEARS

OR TWENTY FIVE THOUSAND DAYS.

Robin Hopper is a man of many parts, mostly worn out, rusty or dysfunctional, due to a lifetime of excesses! He started working with clay at the age of three and is still doing it over 70 years later. His lengthy, peripatetic career as a mudpusher has included side trips into working as a Professional Actor, Stage Designer, Property Maker, Stage Manager, Stage Carpenter, Grocer, Greengrocer, Jazz Musician, Teapot, Wine and Beer-Bottle, Trumpet, Trombone and Bugle Player, European Travel Guide, Founder of Several Clay/Art/Craft Organizations, Alchemist, Geologist, Primatologist, Linguist, Ornithologist, Botanist, Ceramic Historian, Educator, Author, Garden Designer, Lecturer on Japanese Garden Design, Laborer and Star of Stage, Screen and Potter’s Wheel!

Sunday, June 23, 2013

INSPIRATION - INTERPRETATION


 GARDEN IMAGES to 

 GLAZE PAINTING 


AS I'VE SAID MANY TIMES BEFORE, OUR LARGE ANGLOJAPANADIAN GARDEN IS MY BIGGEST SOURCE OF IDEAS AND INSPIRATION, FROM POTS TO GLAZE PAINTINGS ON PC SUBSTRATES.

THIS POSTING SHOWS THAT INTERPRETATION IN ACTION. SEVERAL EARLIER POSTINGS HAVE FOCUSSED ON GLAZE AND COLOR RESEARCH AND THE USE OF 
PC SUBSTRATES. 


THROUGH THE EQUATORIAL ARCH
ABOUT A QUARTER OF THE WAY THROUGH THE GARDEN IS WHAT I CALL "THE EQUATORIAL ARCH".  IT SPANS THE POINT WHERE FULL SHADE BECOMES FULL SUN. ON THE SOUTH SIDE, LOOKING THROUGH THE ARCH, THE VISIBLE PLANTINGS ARE ALL IN SHADES OF YELLOW - INSPIRED BY SUNLIGHT. ON THE NORTH SIDE THE COLORS OF VEGETATION IS ALMOST ENTIRELY IN SHADE, USING DARK GREEN AND BLUE GREEN TO EMPHASIZE THE YELLOW COLOR THROUGH THE ARCH, BECOMING PART OF THE "TONGUE -IN-CHEEK"
 GRECO-ROMAN GARDEN 



FLEMMING'S TOTEM

TO THE RIGHT OF THE ARCH IS A TOTEM PILLAR MADE FROM RECYCLED WOOD PILINGS AND ALUMINUM SHEET BY MY FRIEND AND MIXED-MEDIA ARTIST FLEMMING JORGENSEN. THE LARGE-LEAFED PLANT IN FRONT IS JAPANESE COLTSFOOT.

I ENJOY THIS GARDEN DETAIL AND DECIDED TO MAKE INTERPRETIVE GLAZE PAINTINGS FROM IT. FIRST, I MADE SOME LOOSE, BRUSH AND INK DRAWINGS. 



SIMPLE BRUSHPEN AND INK DRAWING ON PAPER -
 "EQUATORIAL ARCH" - NORTH SIDE

SNOW LANDSCAPE

PC SUBSTRATE GLAZE PAINTING - LAYERED GLAZES, BRUSHWORK AND UNDERGLAZE PEN DRAWING
ARTISTIC LICENCE CAN BE USED TO INTERPRET IN WHATEVER COLOR AHD TEXTURE RANGE DEEMED DESIRABLE BY THE ARTIST. IT CAN BE FIRED AT WHATEVER TEMPERATURE THE GLAZES REQUIRE AND CAN BE DOWN-FIRED TO USE GLAZES THAT MATURE AT A LOWER TEMPERATURE FOR DETAILS, SUCH AS THE CHROME RED LEAD GLAZE AT CONE 010.


"EQUATORIAL ARCH, BLUE SERIES"

THE METHODOLOGY USED IN MY GLAZE PAINTING WORK GOES BACK TO MY YEARS OF GLAZE AND COLOR RESEARCH. GLAZE APPLICATION IS DONE BY BRUSHING, POURING, TRAILING AND SPLASHING.  IN SHORT, ANY METHOD THAT WORKS TO INTERPRET THE  
 VISION OR INSPIRATION. KNOWING MATERIALS AND COLORANTS IS THE CORE TO VISUAL INTERPRETATION AND GLAZE PAINTING. 


LANDSCAPE INTERPRETATION ON LARGE PORCELAIN SLAB/THROWN
FORM WITH MULTIPLE GLAZE APPLICATION, FIRED AT CONE 10 REDUCTION.
"FOREST FIRE" SERIES - Robin Hopper 1977.

MY NEXT TWO POSTINGS WILL BE VIEWS OF THIS  YEAR'S HAPPENINGS AT THE METCHOSIN INTERNATIONAL SUMMER SCHOOL OF THE ARTS. 

 I WILL THEN GO BACK TO THE EARLIER ONE  ON AGATEWARE THAT WAS LEFT UNFINISHED. 

BEST WISHES FOR A GREAT SUMMER OF ART AND EXPLORATION. 


5 comments:

  1. Love the layers in your garden and the way you've framed the entrance to the sunny section. I've wanted to try that substrate material but have yet to, one of these days. Great glaze applications on your jar, reminds me of the Colorado mtns where sadly many forest fires are burning now.

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  2. Your garden is, as always, a delight to see. I love the way you take your inspirations and make them totally your own.
    That last form is to die for.

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  3. Thanks for the posting,Robin. It is always great to see your drawn interpretation from the source - your garden. Have fun a Metchosin. Wish I could be there.

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  4. Good morning Robin,
    Your garden is lovely! Do you have certain hours that it and your gallery/studio are open during the summer months? A trip is in the works. Hoping all works out. Take care and thanks!
    Rudy

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