THE BATTLE BETWEEN ART AND CRAFT - STILL RAGING AFTER SIXTY YEARS
ARTS PAGE - RH WORK DONE AS A STUDENT AT AGE 20.
“TOAD PLATE”
STONEWARE
IMAGE BORROWED FROM A PICASSO LITHOGRAPH
“PILGRIM BOTTLE VASE”
STONEWARE
GUIDES, GURUS, MENTORS AND ROLE MODELS
THESE ARE SOME OF THE ARTISTS WHO HAD A MAJOR EFFECT ON MY THOUGHTS ABOUT FORM, SURFACE AND FUNCTIONALITY. I KNEW I WOULDN’T BE ABLE TO MAKE A LIVING DOING ONE-OF-A-KIND WORK, SO I DECIDED ON 50% FUNCTIONAL AND 50% ONE-OF-A-KIND, A PATTERN THAT STAYED CONSTANT FOR 45 YEARS. THESE ARTISTS ARE ALMOST ALL FROM UK.
TENMOKU PLATE BY HARRY DAVIS UK/NZ CASSEROLE BY RAY FINCH
GOBLET BY ALLAN CAIGER-SMITH VASE BY VIVIKA AND OTTO HEINO
VASE BY LUCIE RIE VASE BY THOMAS SAMUEL HAILE
WILLIAM STAITE MURRAY PABLO PICASSO
PICASSO DECORATING LARGE PLATE PICASSO OWL
TO MY MIND, PABLO PICASSO WAS THE MOST UNDERRATED CERAMIC ARTIST OF THE 20TH CENTURY. HE WORKED CONSISTENTLY IN CLAY FOR OVER 20 YEARS FROM 1946 TO 1968. AS A STUDENT, I WAS FORTUNATE TO SEE A PICASSO NEW CERAMICS EXHIBIT EVERY YEAR IN LONDON. HE BROKE DOWN LONG-STANDING TRADITIONS IN CERAMICS, AS HE DID WITH VARIOUS MEDIA, AND ALLOWED A VIBRANT NEW ARTISTIC VISION TO DEVELOP.
FAVORITE PICASSO QUOTE:
“MEDIOCRE ARTISTS BORROW, GREAT ARTISTS STEAL”.
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TOMORROW
MORE THOUGHTS ON GUIDES, GURUS, MENTORS AND ROLE MODELS
Thanks for the visual feast today Robin. It is always nice to see an artist's roots.
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